Télécharger le fichier PDF The Hare with Amber Eyes : A Hidden Inheritance, by Edmund de Waal
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The Hare with Amber Eyes : A Hidden Inheritance, by Edmund de Waal
Télécharger le fichier PDF The Hare with Amber Eyes : A Hidden Inheritance, by Edmund de Waal
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Détails sur le produit
Broché: 354 pages
Editeur : Picador; Édition : Reprint (1 août 2011)
Collection : Picador
Langue : Anglais
ISBN-10: 9780312569372
ISBN-13: 978-0312569372
ASIN: 0312569378
Dimensions du produit:
14 x 2,5 x 21 cm
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I was truly sorry to reach the end of this book. It is a mesmerizing tale of a Jewish family whose history begins in Odessa where the patriarch establishes the financial basis for a banking empire to rival that of the Rothschild family by cornering the market for grain exports. Like the Rothschilds, the Ephrussi family sends succeeding generations to establish branch banks in major cities of Europe including Paris and Vienna. The story opens in Paris in 1871, where the author's great-uncle becomes an art critic and collector. In addition to becoming an early supporter of the Impressionists, he also latches on to the then-prevailing Parisian enthusiasm for all things Japanese. He amasses a collection of 264 netsuke which he sends as a wedding present to his cousin Victor in Vienna in 1899. The story of the succeeding generations is told through the netsuke, which become one of the few art treasures that the family was able to recover after World War II because a gentile maid who had been in their employ since the age of fourteen secreted them away in her mattress. But this is much more than a chronological history of lost wealth. The author, an accomplished potter with an international reputation who has lived and studied in Japan, has created a detailed study of the relationship between the netsuke and where they have been. He researches his family's history and visits the homes where the netsuke have lived. In so doing, he creates vivid portraits of both the netsuke's surroundings and the family members who interacted with them over the years. The result is a unique and captivating story that transports the reader back in time to the spaces inhabited by the netsuke and his family.
I studied Japanese history and netsuke in college, which is why I bought this book. But it is so much more than that. The family on which it is based are fascinating (thanks, author, for the family tree at the start of the book, something that Tolkien taught me to appreciate). It's fun dusting off my French here and there. The many references to specific artworks were nearly all works I didn't know, which made me feel left out. So I started pulling them up on my phone as I came across them in the book. (e.g. Monet's portrait of his wife Camille in a red kimono with a Samurai on the side just so). WOW! Doing that gives this book an extra dimension that is out of this world. It's like a guided tour of far countries and cultures, and very well done indeed. The aforementioned Monet is sometimes mentioned as part of a necessary conversation about cultural appropriation and sexualization... akin to the history of the Confederacy in some ways, and as I write this "Crazy Rich Asians" is being discussed in this contest. Just as Ron Chernow's book "Washington" demonstrates that politics today are just a high-tech replay of America's past, this book chronicles an art scene as it was, warts and all. I finally understand just how Asian objets-d'art ended up as part of my own Missouri-rooted inheritances. A book to savor. I'm not done yet and I'll hate to see it end. If anyone out there knows of similar books, LMK!
This book had such promise because it's a great story. But the promise was never fulfilled because of the way the author chose to tell the story. I found it very disjointed and very hard to follow. Thank God for the pedigree chart in the front because keeping the characters straight was difficult. This book would have been much more successful if it had been chronologically organised. But we dive into one part of the family then we're thrown into something else and it feels as if we lurch from topic to topic. I know the author probably had difficulty distancing himself from the story because it is his family and he knows details which fill in the cracks. Unfortunately, we're not always privy to those details. Or they are revealed much later in the story. As it is a story of a Jewish family in Europe w/ vast wealth, we know the rise of the Nazis to power is going to be devastating. That part of the story is well told. The sparse, mostly unemotional facts are told and the reader is left to respond. I did feel that was well done. But the title of the book and the expectations of a discussion about 264 netsuke are misleading. The uniqueness of the hare w/ amber eyes is never really elaborated upon. Perhaps the paperback edition of the book omitted the detailed photos of the objects and this skewed my reaction. But I did expect more about them. I strongly feel that Mr. de Waal was not done well by his editor. A better editor would ahve added more coherence to the structure of the story and provided more focus.This story could have been told so much better and should have been told so much better. I was disappointed,.
Edmund de Waal, a well-known potter, inherited a collection of 264 netsuke, small delicately carved Japanese objects, originally intended as a counterweight with a small bag on one side and the netsuke on the other, worn around the sash of a man's kimono. At the end of the 19th century they became all the rage in Europe as collectors' items. The author desribes how the collection got into his family and what happend to it over the years. By doing so, he traces back his family's fascinating history. He conjures up the atmosphere in Paris and Vienna, describes in great detail homes and daily life of a super rich family, from their beginnings as bankers in Odessa to their dispersal into various countries. Especially the period around the second world war, in which everything is taken away from this Jewish family, is very moving. I found the beginning a little slow reading, but after a while I really got sucked into this story and often felt like a fly on the wall.
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